Joe Cantrell

Community Memory

The Artist

Joe Cantrell is a multidisciplinary artist specializing in installations, compositions, and performances inspired by the consequences of technological objects and practices. His work examines the incessant acceleration of technology and media production, its ownership, and the waste it produces. In the rush to get the newest and shiniest things, the less new and less shiny are cast off: today’s hot commodity is often tomorrow’s garbage. In solidarity with these abandoned objects and the hands that put them together, Joe uses their embedded histories as points of entry for exploring new work.

Joe has presented his research, art, and performances for audiences around the world, including at the International Computer Music Association and the New Interfaces for Musical Expression conference, and has held artist residencies in New York, London, Beijing, and Rotterdam.

His work has been supported by grants from the Creative Capital Foundation, New Music USA, the University of California Institute for Research in the Arts, and the Qualcomm Institute Initiative for Digital Exploration of Arts and Sciences, among others.

Joe holds a BFA in Music Technology from the California Institute of the Arts, an MFA in Digital Arts and New Media from UC Santa Cruz, and a PhD in Music from UC San Diego.

Joe Cantrell

The Project

Joe Cantrell will invite City Heights residents to turn broken electronics into a growing, shared sound sculpture. Expanding on an earlier installation, “Community Memory” will bring neighbors together to explore what discarded devices can become and the memories they hold. Residents will be invited to contribute objects such as radios, speakers, and toy keyboards, along with optional stories about their significance. Through free workshops in soldering, basic electronics repair, and sound circuitry, participants will work with Cantrell to examine the devices. Some may be repaired and returned home; others will become part of the installation. Suspended overhead and connected electronically, the objects will produce an evolving soundscape that changes as new contributions arrive. Participants’ written memories will be displayed alongside the sculpture, creating a record of the neighborhood’s objects and experiences. The installation will be free to visit, allowing residents to return and hear how their collective creation develops. A closing live performance is planned, along with publicly shared documentation of its sounds and stories. Combining practical skills with collaborative art-making, the project asks people to reconsider what they discard and what they choose to keep.

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