Thao Huynh French

(Not So) Little Saigon

The Artist

Thao Huynh French is a San Diego multidisciplinary artist, muralist, and photographer whose public art celebrates underrepresented communities and preserves refugee and immigrant stories. A refugee from Vietnam, she draws on her family’s experiences and Asian American heritage to explore belonging, resilience, and cultural identity. After leaving a corporate career, French turned to art and began working with spray paint in 2018. Her signature peonies symbolize memory, growth, and resilience. Her murals include Year of the Tiger in San Diego’s Little Saigon, honoring the Vietnamese immigrant community. French has led workshops at UC San Diego, Cuyamaca College, and Mesa College, helping students express social justice concerns through art. Her practice also includes photography, archival research, and interactive installations. Working on neighborhood walls and in schools, she sees conversations with community members as an essential part of creating art that reflects and serves them.

Thao Huynh French

The Project

Thao Huynh French’s (Not So) Little Saigon will preserve the stories of Vietnamese refugees who helped shape San Diego’s Little Saigon neighborhood in City Heights. Through a digital archive and a large-scale public mural, the project will connect personal histories with the places where families have built businesses, relationships, and new lives. Beginning with her own family’s journey, French plans to gather photographs, documents, and stories from local refugee families, including those behind longtime neighborhood restaurants and businesses. The archive will give the public a place to learn about these experiences and offer community members opportunities to contribute their own histories. Selected stories and images will inform a mural planned for an approximately 80-foot-wide wall at Sin Lee. The artwork will honor the people whose contributions have made Little Saigon what it is today. The project builds on French’s research at the former Philippine Refugee Processing Center, where her family lived before coming to the United States. As older generations pass away and the neighborhood changes, she seeks to preserve histories that could otherwise be lost and ensure that Vietnamese refugees have a central role in telling their own stories.

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